Andrew Niccol directs this science fiction romance adapted from the novel by Stephenie Meyer, creator of 'The Twilight Saga'. An alien race has begun colonising Earth by taking over human bodies and erasing their minds and memories and only a small band of survivors remain who are working to protect themselves from extinction. One of them is Melanie Stryder (Saoirse Ronan), who, when out on a search for food, meets another human being named Jared Howe (Max Irons) and it isn't long before they begin to develop feelings for one another. However, when Melanie is taken by the alien species and is made host to one of their own, it seems all hope is lost. That is, until Melanie's mind begins to fight back against her new inhabitor and her human emotions and memories ignite some empathy in the alien parasite.

Transnational Cinematography Studies introduces new perspectives to the discipline of film and media studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the substantial communication between critical studies of cinema and film production practices. This book integrates theories and practices of cinematographic technology. Secondly, Transnational Cinematography Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now discussed in terms of globalization of audio-visual cultures, with regard to such issues as Hollywood film studios' so-called "runaway productions" and multi-national co-productions; Hollywood remakes of Asian horror films or Hong-Kong martial arts films; and the growing significance of international film festivals. However, this volume proposes that globalization is not in itself new in the history of cinema, and that cinema has always been at the forefront of transnational culture from the beginning of its history.